In The Hitchhiker’s Guide to the Galaxy Douglas Adams wrote, ‘A towel, it says, is about the most massively useful thing an interstellar hitchhiker can have.’’ On 25 May each year, fans carry a towel in Douglas’ honour.
Since 2017 Stand Up for Towel Day has provided a place to gather after a day of celebratory towel carrying for stand-up comedy, slam poetry, sketches, improv and more in homage to Douglas and his work.
For the second year in a row, we’ve teamed up with Stand up for Towel Day’s curator, Rachel Wheeley, and producer, Nell Thomas, to bring you the 2021 edition of the event.
Whether you’re a fan of Douglas Adams or just fancy a laugh and an opportunity to raise some money for rhinos, we hope to see you tonight!
To celebrate the 42nd anniversary of the original radio broadcasts of The Hitchhiker’s Guide to the Galaxy, the British Library are hosting a whole day of events.
Stand Up for Towel Day will be there, with Steve Cross, Cerys Bradley, The Underground Clown Club, Declan Kennedy, Jonathan Hearn and The Story Beast all performing homages to the late, great Douglas Adams’ work.
42 years ago tomorrow (Wednesday, 8th March, 1978), a radio series called The Hitchhiker’s Guide to the Galaxy was launched on BBC Radio 4 at 10.30pm. The author, Douglas Adams, was disappointed with the timing of the broadcast, as the timeslot was guaranteed to turn the programme into a ‘cult’ with a small but dedicated audience.
Happily, the programme gained a very large mainstream audience, and spawned books, a second, third, fourth, fifth and sixth radio series, a TV show and two films to date.
Earlier this year, Simon Watt and I recorded an episode of our podcast, Level Up Human, live at the Barbican in association with The Physiological Society. This episode was recorded with expert guests, marine biologist, writer and documentary maker, Helen Scales and KCL professor of developmental neurobiology, Robert Hindges.
First we look at human enhancements from around the world. Helen brings news of a man with an exo-skeleton allowing him to walk.
Robert tells us about developments in prosthetics which allow users to experience feedback from artificial limbs. And Rach has evidence that thumbs are getting faster.
Next: pitches from our guest experts, the studio audience and Mother Nature herself.
Robert wants a higher flicker frequency in the human eye. Helen suggests we all become extreme free divers with the breath holding abilities of the sperm whale.
The audience want improved cooling systems, reduced urination, lego wrists and multi-sensory anaesthesia. Simon pitches the arsenic resistant qualities of the Mono lake nematodes.
Which will make it onto the shortlist? And which will win? Have a listen to find out.
Last year I went along to Backyard Comedy club for a short talk about the BBC pips. Anyone who’s ever listened to BBC Radio 4 will be familiar with these six little bursts of noise, but where did they come from, and what do they mean?
My podcast, Level Up Human, is back for a brand new series!
The first series of the podcast was supported by the Wellcome Trust. This time we are working with the Physiological Society. We have a residency at the Barbican in London, and we’ve just launched the first episode of the new series.
We asked Clare onto the podcast to talk about synaesthesia, a condition in which one sense is perceived as if by one or more additional senses. Clare tells us how she can ‘see’ the calendar, and explains loads more about synaesthesia: what it is, and how it would be great if everyone had it.
Miles is working on ‘liquid biopsies’ which might allow us to detect cancerous tumours via blood test in the future. He has lots to say on the pituitary gland, the ‘conductor of the endocrine-orchestra’ and explains how the condition acromegaly inspired the name of Giant’s Causeway in Northern Ireland.
The team have brought news stories from the world of science to share before we kick off the pitches. Clare explains why elephants are basically cancer-proof, Miles sings the praises of the pituitary, and Rach has tardigrade news.
Then we hear pitches for how we should redesign the human body from each of the panellists, the studio audience and Mother Nature herself.
Clare would like every human to have synaesthesia and Miles would like to tone down testosterone. The audience want to eat like termites, recognise faces better and have more control of adrenaline. Simon really wants to make humans stripy. Which suggestions will make it onto Rach’s shortlist?
“The pituitary gland is the most under-rated gland in the whole body. It is the size of a pea and it’s the conductor of the endocrine-orchestra (thyroid gland, adrenal gland, ovaries, testes, pancreas and all other glands in the body.) It controls every hormone in the body. It’s the most important, yet the most misunderstood and ignored part of the body.” – Miles Levy
“Everyone should have synaesthesia. It’s a completely harmless, possibly even helpful neurological condition where your senses get mixed up. So you might see colours when you’re listening to music, you might taste words, or in my case, you might see the calendar and numbers and letters of the alphabet all laid out in space in front of you which is hugely useful.” – Clare Jonas
“Mums are better. Actually, Grandmothers are better. Grandparents have the knowledge. They remember the last time there was a famine and we had to eat those weird berries. So old people are basically libraries of the past. They are a repository of knowledge that we have to keep.” – Simon Watt
First of all, forget new ideas. There aren’t any. See through toaster? Already exists. Dusting drones? Done. DIY bath milk? What are you even talking about Harriet, that’s not a thing. Oh alright then, it is.
Whatever you come up with, it won’t be new. New is just old + old smooshed into a ball. All the way back to, “I wonder what happens if I bang these rocks together?”
Think about it. See through toaster = toaster + window. Dusting drones = drone + your Nan. You can work out the bath milk one.
Point is, you’ve got nothing. I’ve got nothing. Nobody’s got anything – every thought has been thought before. The good news is, it doesn’t matter. Smashing old ideas together is a valid way to become Elon Musk/Cardi B/any other entrepreneur you can think of.
How is it done though?
Years ago, this dude J.W.Young wrote a thing about how to come up with fresh stuff. He was in advertising, so we can assume he had to produce every day. He didn’t believe in ‘new’ either.
Here’s his method:
Collect ‘materials’. Both general materials and those specific to what you’re making.
Digest the stuff. Here we have to be like a ‘curious octopus.’ Pick each thing up, feel it all over like a randy, sorry, curious octopus. Feel for the meaning of it. Bring two things together, see how they fit. You’re looking for relationships and ‘synergies’.
This is my favourite part. ‘Make absolutely no effort of a direct nature.’ I read this as: take the afternoon off and go to the pub.
The ‘A-ha’ moment. Yes! This is what we’ve been waiting for. The ‘new’ idea hits us as we soak in a tub full of bath milk. There’s nowhere to write it down so we squirt it as best we can on the wall in Original Source Shower Gel.
Idea meets reality. “The cold, grey dawn of the morning after.” We’ve all been there. See if the thing has legs. Tell people whose thoughts you value for feedback.
The good idea, according to Young, has ‘self-expanding qualities.’ If a friend thinks of things to add, you may be onto something. If they say nothing but nod politely as their eyes glaze gently over, you might want to drop it.
Coming back to his method years later, Young added that pursuing ‘general materials’ for the idea producer’s reservoir is best done as an end in itself, rather than whilst boning up for something.
With thanks to Maria Popova at Brain Pickings for an article about Young and a bunch of other stuff on creativity, productivity and how to be a human in the world.
The Unfortunate Bisexual is now at the Edinburgh Festival Fringe! Cerys Bradley and I are flyering our little socks off all around Edinburgh, and performing every night (unless it’s a Monday) in the basement of The Street on Picardy Place.
We’ve seen some incredible shows, and are thoroughly enjoying the experience. If you’re going to be in Edinburgh over the next few weeks, do come and check out the show!